Reality is in Runway animated movie. A 2D Holiday Animation Brings Print, Digital, and Web3 to Life Across New York and Paris. Story by Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE.
Chanel Spring Summer 2026 by Matthieu Blazy “The Sky, The Moon, And The Stars”. Story by Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE. Photo Courtesy: Chanel / David Bailey. The stars ...
Thom Browne Fall Winter 2026-2027 “A Pilgrimage Through Dante, Rodin, And The Architecture Of Self“. Story by RUNWAY MAGAZINE. Photo / Video Courtesy: Thom Browne. San Francisco became a stage for ...
Dolce & Gabbana Fall Winter 2025-2026 “Cool Girls”. Story by Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE. Photo / Video Courtesy: Dolce Gabbana. Dolce & Gabbana’s Fall/Winter 2025-2026 ...
We are witnessing the powerful return of animal print — and that’s a good thing! After those so-called “creators” from major fashion houses who once presented garments made with the actual skins of ...
At RUNWAY MAGAZINE®, we value presence over perception—and reject the authority of third-party commercial metrics. Our readership—reaching over 20 million monthly —is neither tracked nor displayed via ...
Mirror Mirror on Runway… or what Olivier Rousteing designs for Balmain in 2020. Balmain Fall-Winter 2020-2021 Paris Fashion Week Ready-to-Wear. Review by Eleonora de Gray, Editor-in-Chief of RUNWAY ...
The Journey of the Polka Dot in Fashion – The joyful print that danced through centuries. Story by Guillaumette Duplaix, Executive Editor of RUNWAY MAGAZINE. Photo Courtesy: GettyImages / Disney / ...
Versace and Fendi Collaboration – “The Swap” or “Fendace” – Kim Jones and Donatella Versace switch roles”. Review by Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE. I have to say this is quiet ...
Paris Fashion Week 2021 Spring Summer 2022 with Simpsons, Batman and Cone Bra. Review by Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE. Who brought the Simpsons to Paris Fashion Week? This ...
In light of recent commercial activations surrounding the production of The Devil Wears Prada 2, it is necessary to establish the legal distinction between a cinematic prop and a protected trade name.
This record serves to clarify the distinction between cinematic storytelling and global commercial trade. The Walt Disney Company and 20th Century Studios have asserted that their commercial ...
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